Eero Saarinens architectural masterpiece is the TWA Terminal. There, his father become dean at the prestigious Cranbrook Academy of Art in Bloomfield Hills, Michigan, which counts such design superstars as Florence Knoll and Charles and Ray Eames as former students. Eero Saarinen designs numerous iconic pieces of furniture, especially for Knoll International. The son of Finnish architect Eliel Saarinen and his wife Louise, Eero emigrated to the United states as a teenager. With its inclusion in countless projects of the era-chief among them Saarinen’s own TWA Terminal at Idlewild Airport (now JFK)-the seat rightfully secured its place as a symbol of the design, manufacturing, and tastes of the 1950s. La sua ricerca infatti, non si limita allo studio del design ma intende migliorare le abitudini delle persone, migliorandone la qualità della vita.Simple and sculptural in bright fiberglass and cast aluminum, there may be no better furniture item that represents the ideals of midcentury modernism (and foretells the coming space age movement) than Eero Saarinen’s Tulip Chair. Lo stile di Saarinen segue concetti razionali e puri ma è sempre imporontato alla ricerca di materiali innovativi e rivoluzionari. Louis, Eero Saarinen left behind an impressive legacy that also includes some of the most iconic furniture designs of the modern movement. The exemplary career of Finnish-American architect Eero Saarinen demonstrates how talent can indeed run in the family. Il suo enorme successo è certamente legato alla ditta Knoll per la quale realizzo i suoi più grandi progetti: la poltroncina e il pouf "Grasshopper" (1946), la sedia e il pouf "Womb" (1948), il divano "Womb" (1950), lato e poltrone (1948-1950), e il suo più famoso gruppo "Tulip" o "Pedestal" (1956), che inglobava al suo interno poltrone,sedie, tavoli da pranzo, tavolini, sgabelli. His innovative work, which synthesized architecture, interior design, and landscape ranged from monumentalized structure to popular Modernist furniture.
#EERO SAARINEN DESIGNS SERIES#
Louis, non completato fino agli anni '60. Saarinen designed each piece in the Tulip series of furniture with a single pedestal leg, creating a unified environment of chairs, tables, and stools. Nel 1948 riceve ulteriori riconoscimenti per la progettazione del Jefferson National Expansion Memorial, St. Saarinen riceve il suo primo riconoscimento dalla critica nel 1940 per il progetto di una sedia, realizzata con Eames, per il concorso "Organic Design in Home Furnishings". After Saarinen joined the Knoll design team in the 40s he spent the next 15 years designing many of the most recognisable Knoll. It came as no surprise that Eero was helping his father design furniture and fixtures for the Cranbrook campus by the time he was in his teens. With thanks to for the valuable insight and information provided to aid in the understanding of the relationship between Eero Saarinen and Charles and Ray Eames. Come Eames stesso, Saarinen si dedica alla ricerca ed allo studio di nuove tecnologie per l'utilizzo dei materiali, in particolare della vetroresina. 1910-1961 Born to world famous parents, architect and Cranbrook Academy of Art director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. Sadly Eero Saarinen passed away in 1961, aged only 51 years, but his design legacy lives on for us all to enjoy. Qui Fa la conoscenza di Charles Eames con il quale successivamente inizia una collabazione. Finland 1910-1961 Born to world famous parents, architect and Cranbrook Academy of Art director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. Saarinen also designed many structures for college campuses nationwide, like dormitories at University of Pennsylvani a or the MIT Chapel at MIT. Nel 1934 si diploma a Yale e si perfeziona presso il Cranbrook Institute of Architetcure and Design di cui suo padre era amministratore. Saarinen created an enclosed space believing it implied the self-contained, inward-feeling which was desirable for a place of worship.
0 kommentar(er)
